The work depicts a unique visual language that is akin to the traditional African Nsibidi and Uli systems of symbols and drawings indigenous to the Southeastern part of Nigeria. His work can be seen as a coded ideographic representation of a people, their royalty and connection to their ancestral deities. The work shows the performance of restitution before a Chief or King surrounded by surrogates, men and women who take position of reverence and servitude. Within the carvings lie several masks, which can be interpreted to be mediums’ or links to the sacred traditional “outside world”.